Costume for Medea at start of play. Her exaggerated sari has got a long end which sweep across the floor, and together with the peacock motif suggested her pride, elegance, and difference from other ordinary woman. She is dressed in South Indian style as I've set her to be of South Indian origin, as opposed to the North Indian adaptation of the play.
Costume for Medea after she killed her two sons. She seemed to have changed into another character, as she thought she is Kali by destructing whatever gets in her way, but of course she is not, hence her appearance her shows some similarity to common portrayal of the Goddess, but yet still very different.
Jason the future Princess Consort, hence dressed like a Prince.
Costume for King Creon of Gupta Empire (in original text the place is Corinth). About the same style as Jason, but more elaborate.
Costume for King Aegeus of Sassanid Empire (in original text the place is Athens). Although he's also a King, but he dressed differently from Creon, for obviously he's from Persia.
Costume for Chorus. Instead of women in the street, my Chorus is made up of fairy maidens transformed from temple statues.
Costume for the Nurse. The nurse in my adaptation is a comical role and of slightly higher importance because she knew well what is going on in the household, unlike Medea who is trapped in her own world.
Costume for Tutor. Other than King Aegeus, he's the only man in the show to wear garment for the upper body, because he's the more educated one. In my adaptation he's almost a comical role like the nurse.
1 comment:
Hiya, this story seems familiar to me. I think Taiwan Guoguang Opera Group has staged a similar storyline before.
Their costumes were very glam and you can find the pictures or was it video clip at MK's opera blog.
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